GQ

The Action Is the Juice: Ranking the Heat Homages by William Goodman

This article originally appeared on GQ.com

When Michael Mann’s Heat arrived in the waning days of 1995, audiences came for a showdown between two acting titans and walked away having watched a reinvention of the heist genre. Bigger, more sprawling, and more ambitious than the competition, Heat layered multiple subplots and fringe characters into its tale of a master thief hunted at every turn by a cop who’s just as obsessive as he is—a trope that has since become a staple of the genre.

Mann’s masterwork is known for its incredible action sequences and masterful performances from Robert de Niro and Al Pacino, who appeared on screen together for the first time. The two play opposite sides of the coin: de Niro’s Neil McCauley is a cold and calculated career criminal devoted to his craft above all else, while Pacino’s Lt. Vincent Hanna’s fixation on police work has left a trail of failed relationships in his wake. Naturally, both men respect the hell out of each other.

With its deep cast and story boiled down from Mann’s script for an aborted TV series, Heat quickly entered the pantheon of crime films as well as Los Angeles epics. While there are certain films whose directors have stated outright they were influenced by Heat, other choices on this list are more subtle in how they reference or subvert Mann’s work. So grab your rival and square up over a cup of coffee as we dive into the best Heat-like movies since Heat.

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The Mandalorian Is Star Wars That Haters Can Love by William Goodman

This article originally appeared on GQ.com

The Mandalorian is now a massive mainstream hit, but it’s easy to forget that the series was not necessarily a sure thing. Yes, launching Disney+ with a TV show associated with one of the most successful movie series of all time is an obvious move, but Disney’s previous extensions of the Star Wars franchise were an absolute rollercoaster: A start full of promise ultimately concluded with a whimper that left plenty of road bumps along the way, including disappointing spinoffsThe Mandalorian, which returns this Friday for a second season, succeeds precisely because it leaves all that operatic source material behind.

The show is basically a space western: there’s a heist, a Magnificent Seven/Seven Samurai-inspired riff on protecting a defenseless town from enemy invaders, plenty of gunfights, and bounty hunting. Gone are the galactic wars, the Skywalker family tree, the good vs. evil battle between the Jedi and the Sith -- all the tiresome, endlessly picked-over, self-serious drama that Disney decided to rehash yet again in its movies. Instead, our nameless bounty hunter spends his time rubbing shoulders with the denizens of a grimy underworld while having utterly no idea who Luke, Leia, and Han are. Blissful relief! The Mandalorian’s eight-episode first season feels more in line with old Buck Rodgers and Flash Gordon serials, two touchpoints that inspired Lucas when creating the very first Star Wars back in ‘77.

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